Bibliography: Selected Catalog Essays, Reviews, Articles and Web Links
Heather Shayne Blakeslee, Artist Spotlight: Cheryl Goldsleger, Trajectories & Traces, Root Quarterly, Philadelphia, PA, Spring 2023, Volume IV, Number 4, 28, 30-33
Talasek, J. D. and Quinn, Alana, editors, Convergence II, The Art Collection of the National Academy of Sciences, Cultural Programs of the National Academy of Sciences, Washington, DC, Essays by J. D. Talasek, John Rohrbach, Juliana Biondo, William L. Fox, Katherine Ware, and others. 2021
European Cultural Center, Venice Art Biennale 2019, Personal Structures: Identities; Vast Scale-Intimate Space essay by curator Shannon Morris, 2019. Link to full ECC Venice Art Biennale 2019 catalog here.
All Roads Lead to Venice, by Stacey Eidson, Jagwire, Augusta University, April 12, 2019
Camilla Bertolini, Marine Biologist, Ca’ Foscari University, The Holistic Fish blog, Who says maps are boring? How an artist reinterpreted maps to show sustainability issues in a different manner, Venice, Italy, November 9, 2019
The Visual Experience, 4th edition, Authors: Emily Hood, Joe Fusaro, Davis Publications, Inc., Worcester, Massachusetts, 2019
Richard I. Cohen, editor, Place in Modern Jewish Culture and Society. Artwork for the frontispiece: Association, published by Oxford University Press, Oxford, England, 2018
Karatani, Kojin. Isonomia and the Origins of Philosophy. Indeterminate (painting), by Cheryl Goldsleger, reproduced on the cover. Durham, North Carolina: Duke University Press, 2017
Kevin Grogan and Cary Wilkins, editors. Unquiet Territories, Art by Cheryl Goldsleger, catalogue. Essays by Lilly Wei, Fran Kaufman, and JD Talasek, Augusta Georgia: Morris Museum of Art, 2017
Smith, Tim. Line of Site, review. Baltimore, Maryland: The Baltimore Sun, April 17, 2015
Kaufman, Fran, curator. Extending the Line 3D. Baltimore, Maryland: C. Grimaldis Gallery, 2014.
Karatani, Kōjin. The Structure of World History: From Modes of Production to Modes of Exchange. Translated by Michael K. Bourdaghs. Chambers (painting), by Cheryl Goldsleger, reproduced on the cover. Durham, North Carolina: Duke University Press, 2014.
Talasek, J. D. and Quinn, Alana, editors, Convergence, The Art Collection of the National Academy of Sciences, Cultural Programs of the National Academy of Sciences, Washington, DC, 2012
Gower, Reni, curator. Heated Exchange: Contemporary Encaustic. Richmond, Virginia: Reni Gower; San Francisco, California: Blurb, 2012.
Drury, Fritz, and Joanne Stryker. Drawing: Structure and Vision. Upper Saddle River, New Jersey: Pearson Prentice Hall, 2009.
Stolz, Joan, and Matthew Watt, curators. Tabula Rasa: A Drawing Exhibition. Champaign, Illinois: Giertz Gallery at Parkland College, 2008.
Gower, Reni, curator. The Divas and Iron Chefs of Encaustic. With essays by Joanne Mattera and Dr. Virginia Spivey. Richmond, Virginia: Painting and Printmaking Department, School of Arts, Virginia Commonwealth University, 2007. Exhibition at the Anderson Gallery, Virginia Commonwealth University, in 2008.
Fallon, Roberta. All Spaced Out, review. Philadelphia, Pennsylvania: the art blog.org, May 24, 2006
Karabenick, Julie, curator. Order(ed). With an essay by Roberta Fallon. Philadelphia, Pennsylvania: Gallery Siano, 2006.
Kuspit, Donald. Social Structure, review. New York, New York: ArtNet Magazine online, July 5, 2005
Fox, Catherine. Women Architects Inspire Artist’s ‘Utopia,’ review. Atlanta, Georgia: Atlanta Journal and Constitution, September 21, 2003
Artists of the Heath Gallery, 1965–1998. Essays by Gudmund Vigtel, John Howett, Laura C. Lieberman. Atlanta, Georgia: Museum of Contemporary Art of Georgia, 2002.
Mattera, Joanne. The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax. New York, New York: Watson-Guptill Publications, 2001.
Paschal, Huston. Interiors. Raleigh, North Carolina: North Carolina Museum of Art, 2000.
Affinities with Architecture. With an essay by Marya Rowland. Knoxville, Tennessee: Ewing Gallery of Art and Architecture, University of Tennessee, 1998.
Shaw, Karen, curator. A Walk in the Woods. East Islip, New York: Islip Art Museum, 1996.
9 Women in Georgia: An Exhibition of Contemporary Art. With an essay by Gudmund Vigtel. Washington, D.C.: Georgia Committee of the National Museum of Women in the Arts, 1996.
1995 New Orleans Triennial. With an essay by Dan Cameron. New Orleans, Louisiana: New Orleans Museum of Art, 1995.
Vigtel, Gudmund. 100 Years of Painting in Georgia. Atlanta, Georgia: Alston & Bird, 1992.
Vital Signs: An Exhibition of Art in and about Atlanta to Inaugurate the Opening of the New Nexus Gallery. With essays by Annette Cone-Skelton, Louise E. Shaw, and Edward S. Spriggs. Atlanta, Georgia: Nexus Contemporary Art Center, 1991.
41st Biennial Exhibition of Contemporary American Painting. With an essay by William A. Fagaly. Washington, D.C.: Corcoran Gallery of Art, 1989.
City on a Hill: Twenty Years of Artists at Cortona. Athens, Georgia: Georgia Museum of Art, University of Georgia, 1989.
Southeast Seven 10: An Exhibition of the Seven SECCA/RJR Southeastern Artists Fellowship Recipients for 1986–87. With an essay by Jon Meyer. Winston-Salem, North Carolina: Southeastern Center for Contemporary Art, 1987.
Knopf Rushin, Judy. Southern Expressions: Cheryl Goldsleger, review. Atlanta, Georgia: Art Papers, Volume 10, Number 2, March/April, 1986
Drawing Invitational: An Exhibition from New York. Curated by Bertha Urdang. Paddington, New South Wales, Australia: Sydney College of Advanced Education, 1986. Exhibition at Ivan Dougherty Gallery, City Art Institute, Sydney, Australia.
A Sense of Place: Contemporary Southern Art. Essay by Eleanor Heartney. Minneapolis, Minnesota: Minneapolis College of Art and Design Gallery, 1986.
1986 New Orleans Triennial: The Centennial Exhibition. With an essay by Douglas G. Schultz. New Orleans, Louisiana: New Orleans Museum of Art, 1986.
Southern Comfort/Discomfort: An Invitational Exhibition of Twenty Southern Artists Who Have Never Before Shown at the Mint Museum. With an essay by Jon Meyer. Charlotte, North Carolina: Mint Museum, 1986.
Connections: Bridges/Ladders/Ramps/Staircases/Tunnels. With essays by Janet Kardon and Hal Foster. Philadelphia, Pennsylvania: Institute of Contemporary Art, University of Pennsylvania, 1983.
Lisbon International Show: International Exhibition of Drawings. Lisboa, Portugal: Direccao Geral de Accao Cultural, Secretaria de Estabo da Cultura, Ministerio da Cultura e Coordenacao Cientifica, 1981. Exhibition at Galeria Nacional de Arte Moderna in Lisbon, Portugal.
Links and information on the web
Published two prints: Convey and Gauge, VanDeb Editions, Long Island City, New York, summer 2000
Cheryl Goldsleger, MOCA GA, Museum of Contemporary Art of Georgia Collection
Cheryl Goldsleger, Traveling Exhibition, Halsey Institute of Contemporary Art: Archive